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Pic by Emma Grima

antichrist - a spring rite  
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    (Cyber)performance where we dance to liberate and heal—our movements are translated through a vaginal sensor, which affects lights and visuals within the installation. We celebrate the sun and activate our fire.

2025
Format happening
Media performance, spoken word, food and drinks, flowers, candles, decorations, projections, piñata (made with paper from the Bible)

Concept, narrative, creation, planning, recipes, and piñata by pamela varela
Food in collaboration with Silvia Varela and Irene Cruz
Projections by Victoria Martínez
Decorations, set-up, altar, and assistance before and during the happening by Luisa Rocha, Úrsula Rebollar, Martina Martínez, Valeria Sánchez, Karla Gómez, Diego Borda, Eduardo Valles, Alejandro Chellet
Hair, make-up, and styling by Sabrina Ol
Outfit from Cueva

Special thanks to everybody who came and Andreas, Borda, and Edu for the music :)


Exhibited at
CASA VIVA, CDMX, MX, 2025










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       Ĭichti@ is a transmedia live/cyber dance performance and installation, where the senses of the audience are exposed to an ecstatic, climatic, orgiastic encounter with our extended bodies. Addressing the objectification and oppression that society puts on the body, together, we use the power of dance to fight, liberate, and heal. Our movements are translated through a vaginal EMG muscle sensor, which activates the installation and affects lights and visuals within the environment. 

I also use this sensor in the projects exquisitely extreme and transcendence - trance ‘n dance.

Pics by Gert Jan Van Rooij



Pic by Marlot Meyer




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         The ritual is a celebration of the nourishing power of the sun—inspired by the summer solstice rituals—where the sensual force of its rays is channeled through our pelvic floors, activating our fire. The viewer becomes part of a sensorial journey that transcends our physical, spiritual, and digital worlds.

The longest day of the year has been celebrated throughout history, often by dancing and singing around bonfires, which symbolize the sun, to channel its energy and ensure a supply of light for all life. Interestingly enough for our research, there have been certain traditions in Europe where a figurine of a witch is burned alongside the bonfire, to “protect” the community against evil spirits and “witches”, a consequence of the medieval witch hunts.




Pics by Emma Grima







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   Ĭichti@ serves as a medium to demonstrate net-ktar, a cyber-instrument that captures (bio)data from bodily inputs to be sent online. We created it to enable us to connect to our creations using telepresence, therefore, crossing the boundaries of reality and virtuality, and building a relationship between these spaces for our performances. Both live and cyber performances use the same components in activating the space; however, with the cyber-instrument, we are able to connect to the web, automating our machines, sounds, and visuals from a distance, be it a few meters to a thousand kilometers.


The term net-ktar is inspired by the words “connect”, which is the act of bringing together,
“nectar”, which is a sugary fluid secreted by plants and, in Greco-Roman mythology, the drink of the gods, and by “network”, which is a system of interconnected members. The k indicates disruption, inspired by the Spanish squatting scene OKUPA and by magick, differentiating itself from performance magic.


 


Pic by Emma Grima

Pic by Marlot Meyer




Technological system in TouchDesigner





Pic by Marlot Meyer

Pics by sWitches

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     The technological set-up is based on a TouchDesigner patch that connects our three vaginal sensors (plus their respective wireless ESP32 micro-controllers) to the LED strip (chapter one), the three spot lights (chapter two), and the projection (chapter three). For the cyber-performance, we added a VPN connection that allowed us to affect the samemtechnologies from the distance. This is the main system we used for net-ktar. During our research, we found another interesting method to use telepresence and affect our creations from a distance with the use of the Arduino IoT Cloud, an online platform where it is possible to connect Arduino-supported devices through the web. 

    In collaboration with Marlot Meyer, we created a system where we would electric-muscle stimulate her through the movements captured by our vaginal muscle reader and sent to her. Subsequently, the shocks produced on her body would make her move, therefore, activating an accelerometer placed on her core, which would then move the mirrors in the room and reflect our beams of light around the space without us being there, replacing our physical presence. 

This chain of feedback interactions symbolizes for us the network of sXsterhood we dream of. By means of cyberfeminist actions, we infiltrate a space that was born from war and patriarchy: the Internet. The four of us, women or FLINTA* people working with technology, see it urgent to create new ways to interact with and through the Internet, ways where we are more present, less isolated, and more bodily connected.



Screenshots of cyberperformance online

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